Queer Lit, New Zines, and More LGBT Market Musing

So I received my first official review for the new Tributaries e-book, and it was four stars! But interestingly, it was one of those positive reviews that seem to lack…positivity? The reviewer wasn’t mean or discouraging, but her review had a tone of bemusement to it. Like she didn’t inherently “get” the book, and I don’t mean “get” as in a surface understanding, but “get” as in…she just didn’t get it! Apparently the reviewer (who was very kind to read my work when it was clearly something she wouldn’t have read had I not asked her to) was confused by the “lesbian romance” aspect of my story. She said the main characters, Nyx and Elmiryn, made her think of Frodo and Samwise from the Lord of the Rings, two close but otherwise “platonic” friends. I sent her an email thanking her for her honesty, but also included a tongue in cheek YouTube link of the (in)famous TBS LotR spot that poked fun at Frodo and Sam’s relationship.

I can’t really say that it’s because she was “straight” that she didn’t get my work. I’ve received emails from straight readers, some of them women, who remarked on how much they enjoy Eikasia (the name of my fantasy series) and how they’re surprised at how much they relate to Elmiryn and Nyx as people. Not lesbians. PEOPLE!

Fancy that!

So then I wondered, “Was the reviewer somehow expecting more…gayness? Was my story not alternative enough? Did she expect the characters to hem and haw about their homosexuality? For them to go through a ‘coming out’ process? Or did she think lesbian women would have been more romantically aggressive?” Because (with all due respect to the reviewer) I was equally confused by her perception that the story lacked a real sense of lesbian romance. Numerous times, Elmiryn propositions Nyx. Numerous times, Nyx displays a fascination and attraction toward Elmiryn’s body. They are close and physically intimate in a way that two women who only met each other wouldn’t typically allow so soon (if at all).

But the reviewer didn’t see how the characters could be gay! She even felt like the kiss at the end of the book was a surprise. I could only laugh, I was so bewildered.

Which then got me thinking (and worrying) that perhaps I’m at a further disadvantage than I had previously believed. Tributaries is a romance story, and the growing relationship does play an important role in the plot, but the romance is secondary to the fantasy adventure. I actually feel apprehensive telling potential lesbian readers about my book, because I don’t want to lie and say there’s RAGIN’ SEX in it (that doesn’t come for at least two more books, ha!) but I wonder if I don’t say that will they be interested at all?

Recently on this blog, I discussed a very small market for LGBT books and a severe lack of support for lesbian fiction. But maybe the problem is more than that for me? Maybe, it is isn’t just a lack of lesbian fiction, but a lack of queer lit. I don’t want to get too attached to terms, as people seem to have different ideas of what to call these small niche markets, but in this case, I’m talking about stories that just so happen to have central LGBTQIA characters in ordinary stories. Stories where the main focus isn’t how gay or alternative the protagonist is, how they struggle with their identity, or how they struggle with society’s perception of their identity.

To reiterate: We’re talking stories where the characters just so happen to be LGBTQIA. Queer Lit. Sounds beautiful, doesn’t it? Say it with me: QUEER LIT!

And I realize now that I’ve been writing in an even smaller niche than I could have imagined. Nearly ALL of my writing to this day (Eikasia, Kliff’s Edge, and Akumu Love Panic!) fits into this curious little sub-genre. And why is it a sub-genre? Why, when the queer characters in these stories are having the same kind of adventures as such famous characters as Harry Potter, Indiana Jones, and Buffy Summers? How can we make queer lit not a sub-genre of a sub-genre? By publishing more queer lit stories! The problem? Many publishers aren’t interested, and that includes many LGBT publishers.

Then I heard on Twitter of this really cool, amazing project. Vitality!

Vitality Magazine is meant to be a Queer Lit zine that focuses on stories with gay characters. Not erotic vignettes. Not coming-out-stories. Not dramas focusing on the struggle of the gay identity. Just…stories. Such a publication is VITAL in proving to publishers (and even readers) that Queer Lit is worthwhile. That it can be enjoyed by a universal audience if people just gave it a chance.

The goals of Vitality Magazine, as listed on their website–

The heart of Vitality can be broken up into five parts:

• Positive portrayal of queerness
• Casual integration of queerness into the lives of our characters
• Interesting works of art and writing
• Quality works of art and writing
• Diversity is wonderful

So pardon the long introduction, but I wanted to share why I think this thing is (personally) so important. Why I pledged $100 to help get this magazine out to the world. And I hope that you support it too, for all that I’ve said. They are currently accepting submissions for their first issue early 2015, and entries must be sent by December 15th. They are accepting fiction, art, poetry, and comics!

If you still aren’t sold, you can give Vitality’s minizine a shot. It’s essentially a sample of what they intend to do!

Visit Vitality Magazine’s Kickstarter campaign!

Visit their official website!

And while you’re at it…

Please check out my new lesbian fantasy romance novel, Tributaries, on Smashwords!